The Rastafarian neighborhood in Hangberg is central to the narrative developed within the film, which also documents Rastafarian Nyabingi, a resident of Hangberg chanting and drumming the normal music of the Rastafarian religion. The Uprising of Hangberg works not solely on the inventive degree, but additionally as a political intervention enabling a marginalized neighborhood to speak of their oppression and trauma. Sweetness exploits the mosaic form in order to present the discontinuous variety and incongruity of strange life. The monotonous demands of the movie group – that cinema be used to current a set viewpoint from a single aircraft of perspective (the protagonist’s) – represents a failure to see the real form of movie at all.
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